Rooting in Contemporary Arab Painting
Abstract
The research consists of (Rooting in Contemporary Arab Painting) consists of four chapters. The first chapter is devoted to the methodological framework of the research. The research problem ended with the following question: What is rooting? What are its representations in contemporary Arab painting? It also included the aim of the research, its importance and the need for it. As for the second chapter, it dealt with two topics: The first came under the title (Rooting in Arab Culture), while the second dealt with (Contemporary Arab Painting). While the third chapter is devoted to research procedures, the researcher has selected (4) contemporary Arab plastic models in an intentional manner and analyzed by adopting the descriptive approach (qualitative content analysis method) based on the indicators of the theoretical framework. As for the fourth chapter, it was devoted to the results of the research, including: 1- I witnessed the heritage events in Arab culture represented in contemporary Arab painting, as they are topics that deal with the artist's emotional and subconscious circumstances. 2- Rooting in contemporary Arab painting reveals the ability of the contemporary Arab artist to employ Western plastic techniques and indigenize them through restoring them and submitting them to the creative self-associated with the civilized plastic heritage. Conclusions: 1- Contemporary Arab painting is an extension of the Arab cultural heritage. 2- The originality of the Arab composition stems from the artist's sincerity in expressing his heritage, and his openness to contemporary composition at the same time.
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